An Old Friend

"An Old Friend"
Sharpie pen
5.5x8.5

I came across this picture whilst browsing Pinterest, and I found myself deeply stirred.  The photo of the old dog reminded me of Star, my childhood black Labrador retriever.  I still miss her very much.  It's been said that everyone (who likes dogs, anyway) has a life dog- one special dog that none of the others in their life can compare to.  Sort of like a doggy soulmate, as it were.  I believe Star was my life dog, and sometimes the grief at her passing is as fresh as the day it happened.

It's rare that a photo or other types of artwork elicits such a response in me.  I decided to do a sketch and see what happened.  It has been awhile since I last drew from a reference photo; a lot of my recent scribbling has simply been from my thoughts.  I really enjoy using the Sharpie pen.  It's easy to elicit a sense of detail and illustration without laboring over depths of graphite.  I'm also fond of crisp, bold lines.  Growing up with Disney and lots of cartoon and anime artwork will do that.  My proportions are a bit off, and I didn't frame the dog to scale, but I'm still pleased that I had the discipline to draw it anyway. I could be good at this if I put the time into it!

Pony Scribble

"Pony Scribble"
pen sketch

In order to encourage myself to draw something today, I simply took a pen and began scribbling in my sketchbook.  As happens so often, the scribbles began to take on an equine form, and a quick drawing was built from there.  I gave myself permission to be messy, to not have perfect proportions, and allow my creativity to come to the fore.  All too often, my creativity is swallowed by other demands on my mental energy, and when I do sit down to create, I am hindered by fear of not being good enough.  I am learning how to push through that reluctance and anxiety about beginning, and accepting the changes and flaws that occur both in art and in life.  Trying is better than not taking any risks, and if I can encourage myself to draw outside of my comfort zone, wonderful things might happen- such as this little drawing!

Carrots

"Carrots"
pencil sketch

I have been eating more vegetables lately in my quest to reduce my consumption of meat, and had the good fortune of eating some carrots from a CSA.  These farm fresh carrots still had a bit of dirt on them and their luscious green tops intact.  I used the tops in a home-made vegetable stock which turned out fabulous; the carrots complemented my vegan potato cabbage soup.  Take the taste of carrot and add a little more sharpness and sweetness- they were wonderful.  So wonderful, in fact, that they inspired me to do a quick sketch of their earthly form.  I enjoyed the whimsical composition of this piece, as if someone had joyously tossed these glorious roots into the air.  I'm thinking of doing a series of work with the subject matter focused on humble, simple things of everyday life- the things in life that truly matter to me.  I've been spending a lot of time trying to figure out what I want in life, and have discovered that I already have it.  My new goal is to actively appreciate my wonderful, simple life, and to not overcomplicate things by worrying so much.

Ghost horse

"Wraith"
charcoal
9x13

This was a free-hand drawing that had been kicking around in my mind for a while, and I finally had the opportunity to sit in my home office and bring the thought to life.  The critic in me says that this is certainly not a finished drawing, but the artist in me asks if it has to be a finished drawing for it to be good.  It is interesting, though, that my style of drawing and my preferred subject matter is not always the sort of art I would like hanging in my home.  I suppose that our innermost thoughts are not often meant to be displayed.

Honeybee

"Honeybee"
pen sketch

I was absurdly pleased this morning to see a bee visiting the purple speedwell growing in one of my flowerbeds this morning.  "Look!  A bee!" I squealed with delight to my significant other.  As spring progresses into summer and more of my flowers bloom, I've looked to see if I have any visiting pollinators.  Alas, not even the clover in the lawn has attracted bees, at least not while I've been around to observe it (admittedly, I am not home very much- something that I'd like to remedy).

You don't have to follow the news to know that bee populations are dwindling rapidly.  Just sit outside on a warm afternoon near some flowers, and you'll be surprised (and maybe saddened) as I am by the lack of these fuzzy little guys.  It's tragic for the bees, and bad news for us two-legs.  Without bees, we lose a lot of pollinators that make agriculture possible.  Certain species of flowering plants that require bees to assist in their reproduction may see a decline, as well.  There are many other species of pollinators out there, but how long until climate change and disease affect them, too?  

I want to help the bees, and I try to do so by planting flowers they find attractive in my garden, and allowing some dandelions and white clover to live in my lawn.  It's all right if I don't have pristine perfect grass if it's helping nature out a little.

Wildebeest

"Wildebeest"
graphite

It's rare for me to watch any sort of television, but when I'm not feeling well, I will watch Netflix.  Last night, I saw a documentary on wildebeest, which Wikipedia tells me are also called gnu (a quick check on Dictionary.com confirmed this).  I've always been somewhat biased against wildebeest, since they are the cause of Mufasa's death in the Lion King.  As a six year old, that particular scene was quite scarring.  However, two decades later, I can identify that it wasn't the fault of the wildebeest, and I curiously clicked on the Netflix documentary.  I was impressed by this hardy animal, which undergoes the longest land migration of any mammal and faces a multitude of threats in order to survive.  Their flowing locks reminded me of the barbaric splendor of Khal Drogo's hair.  It was in fact their mane which I most wanted to draw.

While not as aesthetically pleasing as their zebra compatriots, there is a certain beauty in the lanky gnu.  They are expressive and when not escaping from lions and cheetahs and hyenas (oh my), engage in playful behavior- a young calf displayed a lovely passage that any high level dressage horse would be proud to achieve.  The gnu embodies the will to live despite the dangers of its everyday life, and that inspired me to create this sketch. And, you know, they kind of remind me of horses, and I really like horses.

Friday Sketch

pen

Rose-breasted Grosbeak

"Rose-breasted Grosbeak"
graphite
small leather sketchbook

My father told me on Sunday to keep an eye on my bird feeder for rose-breasted grosbeak, as he had seen them near his more southerly home.  They are migrating north to their nesting grounds, and were likely to pass through my neighborhood.  Sure enough, on Monday morning as I was looking out my kitchen window, I saw a single male rose-breasted grosbeak.  Throughout the day, I saw the same group of three males and one female visit my feeder.  The males would often have little spats, one hovering as the other prevented him from landing.  It was a beautiful day, and I had all the windows open in my house, so I could hear their plaintive calls wherever I was.  Dad said "It's like sneakers on a gym floor" but the noise seems so soft and subdued to me, that it's more like mice wearing sneakers on a gym floor.  These feisty and attractive seed-eaters were the inspiration for this sketch.

The Landing, and some thoughts on my direction in life

"The Landing"
ballpoint pen- about twenty minutes of sketching
small leather sketchbook

I've been remiss in posting, largely because my time and energy has been eaten up by preparing for an interview for a job that I didn't get, and also by my re-entry into the horse world.  It's probably better that I didn't get the job, despite what would have been a significant pay raise.  An administrative position, while lucrative, isn't truly what I want.  To be honest, what I really wanted was more money to play with ponies, especially now that I'm riding and leasing again.

I did my first horse show photography since the WEG trials at Gladstone nearly five years ago in mid-April, which you can take a look at here.  This quick sketch is based off of one of my photos from that day.  It was a laid-back and very fun event.  I took my Nikon D100 with the 135mm lens, which telescopes.  The multiple frame feature wasn't as effective as I had hoped, so I really had to focus on each horse and rider, count strides to the jumps, and try to time the photo so the horse was in the position favored in most jumping photos- knees up and forelegs tucked underneath the body.  Since I am a rider, I had pretty good luck with that.  I unfortunately had some issues with blurriness in the more distant shots.  

The folks at the schooling show seemed pretty happy with my work though, and I even sold a few photos.  My price was much cheaper than what the professionals at the big shows charge- according to my trainer, $75 for a small photo.  I'm not a full-time photographer in the least, and I want people to buy my work- so I suppose I could consider this an introductory phase.  Were this a full time gig, I would charge much more.  I have to live, after all, and roughly $70 for six hours of work (plus editing, uploading, and printing photos) doesn't cover the labor.  For now, this is for fun.  I think I would enjoy specializing in schooling shows and lessons.  I'm not very comfortable with the tense atmosphere at rated shows, and I do think that people would love to have photos of the hard work and fun put into their horses.

Part of me still longs to drop the full-time job and jump into full-time artist status, lack of a steady paycheck notwithstanding.  Or at least go to a part-time job, to alleviate things like having to eat and keep a roof over my head, and devote the rest of my time to what I really love.  It may be worth the sacrifices required.

This was shared with me recently, and is making me rethink what I'm doing right now.

"Cory Catfish"- pen and pencil sketch

"Cory Catfish"
pen and pencil
small leather sketchbook

Now for something different- a cory catfish.  These are great aquarium fish that do best in groups no smaller than six; we have eight in our own tank, which is just starting out.  They are very active and enjoy schooling together.  This sketch is in honor of these cheery little guys.

"Gray Lusitano" graphite sketch

"Gray Lusitano"
graphite
small leather sketchbook

I've been on a Lusitano kick lately; these especially beautiful horses are similar to the Andalusian horse and possess large quantities of fire, grace, and spirit.  Their movement is high-stepping and smooth.  This is a movie-star breed.

I had a little bit of difficulty with foreshortening in the left hindquarter as he steps forward, and the right foreleg is just a little too long.  However, I did well in capturing the feeling of motion, the horse's proudly arched neck, and the degree of collection that he possesses.  

Chincoteague Pony- Pop Art style

"Pop Art Pony"
gel pen
small leather sketchbook

I originally went into this drawing with the idea that I'd create another one of my "swirly horses" as one of my friends has dubbed them.  However, my rendering of this horse's anatomy went awry in the area of its loins and hindquarters.  As I was drawing in pen (oh, how I love to live life dangerously!), the mishap was glaringly evident.  How was I going to solve this?  Enter clever cross-hatching.  The result is certainly not photorealistic, but visually appealing.  In fact, I can even say it's inspired by Roy Lichenstein and the pop art movement itself.  This is not entirely a conscious inspiration, but a few years of art school might have had some influence on my subconscious.

Because I grew up loving horses, they are a clear influence on who I am today.  Horses are a frequent theme in my work.  When I was 9 or 10, I was given Marguerite Henry's Misty of Chincoteague to read.  I became obsessed with the series and fell in love with Henry as an author.  Many of her titles still sit on my bookshelf.  As I've discussed in an earlier post, illustrator Wesley Dennis was also an important influence on my art and my passion for drawing.  While I appreciate the style and challenge to conventional art that pop art presents, I still love a painting or drawing that tells a story.  I only hope to capture the liveliness of spirit that Dennis' work does.

Red-winged Blackbird

"Red-winged Blackbird"
gel pen and red Sharpie
small leather sketchbook

I heard the "konk-a-ree!" of a red-winged blackbird as I walked my dog in the morning.  It was thirty-six degrees Fahrenheit, warm enough for me to wear a hoodie instead of my winter jacket.  The sun actually felt warm on my face.  Starlings, cardinals, finches and sparrows sang and called.  When I heard the redwing, I was transported back to one of my childhood homes, which had a small wetland ecosystem in the back yard.  Each spring, hundreds of red-winged blackbirds would nest in the cattails and puff out their feathers as they called.  I loved to look for the stately males on the tops of the reeds, trees, and telephone poles.  Wings and tail are fanned, beak opened wide, as they claim their territory.  They are one of my favorite harbingers of spring.  Shortly after I heard the blackbird, I saw yellow crocuses about to bloom on a sun-drenched southern slope.  Warmer weather and the growing season are indeed almost here.

My drawing's proportions are a little off; the body of the bird should be a little more slender and his beak shorter and thinner.  I was very pleased with the hatching effect of my pen, but the shoulder patches were too white and flat in comparison.  There happened to be a red Sharpie marker on my desk, so I took a risk and used that to shade in the bird's namesake.  I'm pleased with the overall result.

Bay Arabian- 30 minute pen sketch

"Bay Arabian"
gel pen
small leather sketchbook

I'm trying to pull myself out of this winter funk and begin publishing a new blog post 3x a week.  Today I came across a stock photo of this exuberant Arabian.  Despite my sleepiness (c'mon, it's in the lower fifties and sunny!  So much better than the negative temperatures we suffered in February!), I managed to dredge up enough motivation to do a quick sketch.  I worked with quick, gestural strokes of the pen.  There is a certain beauty to sketching that I haven't quite managed to translate to more formal work.  This particular piece showcases that beauty in its expressiveness and use of suggestion.  The viewer is allowed to speculate more about the horse instead of being given a  representation which leaves little to the imagination.  Perhaps the loose lines and wild energy appeal to me so much because it represents the churning thoughts of my subconscious, which are often masked by my practical and precise outer personality.

Acrylic painting- "Ancestor"

"Ancestor"
acrylic paint
4"x5"; 3/1/15

My high school was unique in that it offered a lot of art classes, which included ceramics, video, drawing, and painting.  In fact, it was during my senior year of high school that I took painting for my homeroom class, and it was the peace and focus which I felt during this class that guided me to choose visual arts for my college education.  Some brushes, canvas, and acrylic paint (BASIC brand) was provided.  The rest was up to us.

I broke out my acrylic paints to do a very small painting, and I had a blast.  With a relaxing playlist featuring such artists as Nightmares on Wax and Air, I was able to become fully absorbed in the creative process.  I began by layering blue and white paint in an atmospheric blend for my background.  Then I took a fine brush and, without any reference, freehand painted the outline of the horse figure.  Then I added the pattern in blue.  When I finished with that, the horse looked a little flat and just "blah" to me, so I went over the lines with white highlights.  This added some great highlights and needed visual interest.

I'm looking forward to doing some more painting.  My technical skills, like everything else, need refining, but it's very easy for me to embrace my creativity when wielding brush and paint.  It's always smart to learn from your mistakes, but when painting, it can be a lot of fun to learn from imperfection.

"Spirit Paint" gel pen sketch

"Spirit Paint"
gel pen
small leather sketchbook

My last gel pen died, so when I found another one on my dresser, I was perhaps absurdly delighted.  I love the clean, crisp look of ink, and my recent stylized horses lend themselves well to the medium.  Today, I was the happiest while drawing that I have been in a few weeks.  I even feel up to the commitment of drawing as frequently as the pros suggest.  Maybe it's the simple, classic black and white that helps my brain focus and engenders a sense of excitement and passion.

I'm also trying a new style of signing my name; while I do like signing my full name, I've enjoyed other artists' very simple yet elegant signatures enough to try it myself.  RCF.  Rebecca creates forever.

Pronghorn Antelope and the Creative Process

"Pronghorn"
pen
small leather sketchbook

Originally, I was going to draw a horse.  A Morgan horse, to be precise.  As I was idly scrolling through my Google image search results, I saw some baby goats standing on top of a reclining equine.  I thought to myself, "Perhaps I should continue in the vein of broadening my horizons, and draw something other than equus caballus."  "Goat" was summarily entered into the search bar, but nothing captured my eye.  Somehow my mind leapt to gazelle, and from gazelle to antelope.  I'm planning on going to the American Southwest early this summer, so I thought of pronghorn antelope.

According to Wikipedia, pronghorn are not antelope at all, but the last surviving species of the North American Antilocapridae.  Their closest living relatives include giraffes and okapi.  They were almost hunted to extinction, but collaboration between the National Audubon Society, the Boone and Crockett Hunting Club, and President Hoover helped establish a large enough game refuge which put the population on the road to recovery.  Some subspecies remain on the endangered species list, however.

I spent a little over an hour on this little sketch, working only in pen.  His nose should be a little smaller, but otherwise I'm pretty satisfied with his proportions. I will count myself very lucky if I get to see one of these guys in the wild! 

Wednesday Sketch

Untitled graphite sketch
small leather sketchbook

Two Horses

"Two Horses- Sketch"
Pentel EnerGel pen
small leather sketchbook

I found a gel pen in my purse, and spent the next few hours drawing.  When drawing in pen, I do not do a preliminary sketch in pencil but go right for it.  This worked very well for me in my life drawing classes and has resulted in some of my more bold and interesting drawings.  I suspect that this is because there is no undoing any "mistakes," and this gives my work more character.  I love drawing two horses together, connecting in their wordless language of breath and touch.

I have been doing a few pen pieces on watercolor paper, mainly because I have a huge stack of loose leaf watercolor paper which is easy to transport in a small folder.  Bristol or regular drawing paper is preferable to me, but I haven't bought a conveniently sized pad of paper yet.  I hate spending money and like working with what I have; I can make the excuse that the watercolor paper adds an interesting texture to my work.  Improvement to both my skill and supplies will come with time.

"Two Horses"
Pentel EnerGel pen
11"x13" watercolor paper

 

"Jumper"

"Jumper"
graphite sketch
small leather sketchbook

I spent about an hour sketching this horse and rider, working from a photo which originally had a vertical jump in it.  The jump was obscuring the horse's hind legs, and I wanted to capture the strength of this horse's leap, so I did not incorporate the jump into the drawing.

The rider was probably the easiest part; I tried very hard not to draw my pre-conceived notion of a human and focused instead on angles and shapes in relation to the horse.  Lately I've noticed that I've improved in paying attention to the negative space which "outlines" objects in reference photos, which results in a more accurate drawing.

There's a lot of Western style equine and equestrian portraits, but not as many English style riding works of art.  I appreciate both styles, but have spent most of my riding time in an English saddle.  If I am going to draw mounted horses, I am leaning towards focusing on what I am most familiar with (and what subjects are most readily available in my geographical area).