"Dun Lusitano" graphite sketch

"Dun Lusitano"
graphite
small leather sketchbook

I decide to return to a more realistic style after feeling inspired by talking horses with a friend of mine.  There's a dun mare who graduated from the Rutgers Young Horse research program available for lease in my area, and I am deeply tempted to meet her.  She looks like a gorgeous, friendly animal, and was the reason for my Google search "dun horse."

This horse's confirmation looks good and well-formed, except for the fact that his head is too big.  I actually began with the head, when it is usually better to have a rough drawing of the whole horse first.  The latter methodology can help you catch any disproportions and other mistakes.  I also began too low down on my page, and as I wanted to draw all of the horse or as much as possible, some subconscious shrinkage occurred from the shoulder back.  It's most noticeable in the hindquarters.  I did not have a blending stick, so I used a finger to lightly shade the horse and went over darker areas again with my pencil.  The drawing does not have a finished feel to it but retains its sketch characteristics.  I would like to heighten the contrast and tighten up some of the pencil strokes.  I have noticed that my pencil sketches of horses do have a similar style, although I haven't quite figured out how to describe it yet.

"Spirit Paint" gel pen sketch

"Spirit Paint"
gel pen
small leather sketchbook

My last gel pen died, so when I found another one on my dresser, I was perhaps absurdly delighted.  I love the clean, crisp look of ink, and my recent stylized horses lend themselves well to the medium.  Today, I was the happiest while drawing that I have been in a few weeks.  I even feel up to the commitment of drawing as frequently as the pros suggest.  Maybe it's the simple, classic black and white that helps my brain focus and engenders a sense of excitement and passion.

I'm also trying a new style of signing my name; while I do like signing my full name, I've enjoyed other artists' very simple yet elegant signatures enough to try it myself.  RCF.  Rebecca creates forever.

Gesture drawing with horses

I had ten minutes, and I decided to draw some horses from real life using my skills from drawing a human model.  There's a few pastures near my workplace.  These Standardbred geldings were munching down on some hay in a hay rack.  They also are not so cooperative as a human model, who you can tell to just stand there.  Because they were eating, their body movement was minimal, but their heads and necks were constantly in motion.  It was an exhilarating challenge that mentally put me totally in the moment.  The goal of gesture drawing is to capture your subject in as little time as possible, and is ideal both for your developing eye and for capturing subjects prone to sudden movement.

Gesture Drawing 1
pen
small leather sketchbook

Gesture Drawing 2
pen
small leather sketchbook

Gesture Drawing 3
pen
small leather sketchbook

Later, I had a little more time and worked from one of my old photos, paying close attention to the details of and around the eye.  This took much longer than ten minutes.  I got very much into the swing of laying down graphite line after graphite line.  A few areas should be darker, but I will need something harder than #2 to properly finish it out.

Equine Eye and Face- study
graphite
small leather sketchbook

"Plum Pretty"

"Plum Pretty"
11x13
pen

After a little bit of sketching and perusing another Google image search of "two horses," I decided to type in "galloping horse."  I was having trouble staying awake and needed to draw something with plenty of energy.  Somewhat dissatisfied with the results, I typed in "galloping Thoroughbred."

I have always been very fond of Thoroughbred horses; many of the horses that I have ridden are OTTBs.  Their athleticism, conformation, and competitive spirit have always impressed me.  I came across a photo of a mare named Plum Pretty.  She was fully extended at the gallop, one ear pricked back at her jockey, one ear surveying the track.  Her muscles would make Michelangelo drool.  As it turns out, she is quite a fancy filly, having won the 2011 Kentucky Oaks.  She sold at Keeneland for $4.2 million in 2012 (source: Blood Horse).  This is not a horse who will turn up in a lesson string for the likes of me to fall in love with.

While drawing, I found myself thrilled with excitement over just how fit this mare was and how amazing the equine physiology is.  I'm not sure that I manage to capture her as well as I would have liked, but some passersby thought it was a pretty picture.