Showing posts with label horse jumping. Show all posts
Showing posts with label horse jumping. Show all posts

Wednesday, January 21, 2015

Leaping the Moon- graphite sketch

"Leaping the Moon"
graphite
small leather sketchbook
Today I was looking at videos of some eventing horses.  Cross country jumping is always impressive to look at, and the bold spirit of these horses in soaring over solid obstacles served as my inspiration.  Proudly arched necks, neatly tucked forelegs, grace and athletic power- all this I hope to capture.

It's been freeing moving away from realism, yet having a grasp of equine anatomy lends authenticity to these drawings.  On a deeper level, they are symbolic of the lines of power and life in our own bodies.  They express my journey towards finding balance in life and connection with my inner spirit.

I'm mentally turning over how to execute one of these style figures into a color painting.  Should each line be a different color?  Should I fill in the in between spaces?  One color family?  Complementary colors?  Acrylic?  Gouache?  Oil pastels?  I imagine that I'll try everything at least once to see what looks best and what works on a practical level.


Wednesday, November 26, 2014

"Jumper"

"Jumper"
graphite sketch
small leather sketchbook
I spent about an hour sketching this horse and rider, working from a photo which originally had a vertical jump in it.  The jump was obscuring the horse's hind legs, and I wanted to capture the strength of this horse's leap, so I did not incorporate the jump into the drawing.

The rider was probably the easiest part; I tried very hard not to draw my pre-conceived notion of a human and focused instead on angles and shapes in relation to the horse.  Lately I've noticed that I've improved in paying attention to the negative space which "outlines" objects in reference photos, which results in a more accurate drawing.

There's a lot of Western style equine and equestrian portraits, but not as many English style riding works of art.  I appreciate both styles, but have spent most of my riding time in an English saddle.  If I am going to draw mounted horses, I am leaning towards focusing on what I am most familiar with (and what subjects are most readily available in my geographical area).