Showing posts with label artist. Show all posts
Showing posts with label artist. Show all posts

Wednesday, May 13, 2015

Portrait of a Horse

"Portrait"
graphite
I managed to completely fill up my leather sketchbook, so I have moved on to a new one.  It's a rare accomplishment for me, and one I hope to repeat.  This new sketchbook was purchased at the same time as the old one, and is the same size (I know, I know, I really ought to do some larger drawings).  

I was in the mood to draw a horse face.  The framing of the subject could have been done better- I would have liked to include all of the ears, not just the base, and also a little more of the neck.  I was able to fix having made the horse's muzzle too long and slender, and I do believe that this is only the second time that I have ever attempted drawing the veins on a horse.  While I could have spent more time on this, I am still happy with the result.

Tuesday, May 5, 2015

The Landing, and some thoughts on my direction in life

"The Landing"
ballpoint pen- about twenty minutes of sketching
small leather sketchbook

I've been remiss in posting, largely because my time and energy has been eaten up by preparing for an interview for a job that I didn't get, and also by my re-entry into the horse world.  It's probably better that I didn't get the job, despite what would have been a significant pay raise.  An administrative position, while lucrative, isn't truly what I want.  To be honest, what I really wanted was more money to play with ponies, especially now that I'm riding and leasing again.

I did my first horse show photography since the WEG trials at Gladstone nearly five years ago in mid-April, which you can take a look at here.  This quick sketch is based off of one of my photos from that day.  It was a laid-back and very fun event.  I took my Nikon D100 with the 135mm lens, which telescopes.  The multiple frame feature wasn't as effective as I had hoped, so I really had to focus on each horse and rider, count strides to the jumps, and try to time the photo so the horse was in the position favored in most jumping photos- knees up and forelegs tucked underneath the body.  Since I am a rider, I had pretty good luck with that.  I unfortunately had some issues with blurriness in the more distant shots.  

The folks at the schooling show seemed pretty happy with my work though, and I even sold a few photos.  My price was much cheaper than what the professionals at the big shows charge- according to my trainer, $75 for a small photo.  I'm not a full-time photographer in the least, and I want people to buy my work- so I suppose I could consider this an introductory phase.  Were this a full time gig, I would charge much more.  I have to live, after all, and roughly $70 for six hours of work (plus editing, uploading, and printing photos) doesn't cover the labor.  For now, this is for fun.  I think I would enjoy specializing in schooling shows and lessons.  I'm not very comfortable with the tense atmosphere at rated shows, and I do think that people would love to have photos of the hard work and fun put into their horses.

Part of me still longs to drop the full-time job and jump into full-time artist status, lack of a steady paycheck notwithstanding.  Or at least go to a part-time job, to alleviate things like having to eat and keep a roof over my head, and devote the rest of my time to what I really love.  It may be worth the sacrifices required.

This was shared with me recently, and is making me rethink what I'm doing right now.

Monday, March 23, 2015

"Cory Catfish"- pen and pencil sketch

"Cory Catfish"
pen and pencil
small leather sketchbook
Now for something different- a cory catfish.  These are great aquarium fish that do best in groups no smaller than six; we have eight in our own tank, which is just starting out.  They are very active and enjoy schooling together.  This sketch is in honor of these cheery little guys.

Friday, February 20, 2015

Galloping Spirit and Remembered Passion

"Galloping Spirit"
graphite
small leather sketchbook
I read today that passions are remembered, and not found.  Looking back at my childhood, all I wanted was to be with horses.  I loved everything about them- their graceful conformation, the way they moved, their beauty and grace, their scent, and the deep connection and understanding that is possible between horse and human.  I ached for and thrived on that connection of trust, understanding, and respect.  The challenge and thrill of riding was just a bonus.

It's been over a year since the last time I have sat on a horse, the longest hiatus from riding that I have ever taken.  Something inside grows quieter every day as I give myself over to my post-graduate life.  40 hours working, 10 hours commuting, every week.  Financial obligations silence any protest I might have at this lifestyle (student loans, I'm looking at you).  I do have a wonderful life, a wonderful home, a wonderful partner.  I'll be frank: as an art major, I am amazed that I have a job which pays all my bills.  I never expected even this much.

Drawing is not something that I love.  It's a different type of relationship, a painstaking journey that I hope to love one day when I can forgive myself for not being perfect or especially talented.  It's self-exploration on paper.  I only like to draw things that I like or am interested by, not necessarily to draw for drawing's sake.

I resigned myself to the fact that it was highly unlikely I would ever have a full-time job working with horses that could also support my other wants and needs, certainly not when starting with a negative net value.  Horses require a great sacrifice of time and money.  I once was given the advice to leave my boyfriend and give up my home so that I could fully commit to gaining the experience required by the field.  I chose not to violate my comfort zone in such a manner.  I don't think it was a mistake, but now I have to be more creative in figuring out how to work horses into my life.  My desire to have my cake and eat it too will require courage to accomplish.

Wednesday, November 26, 2014

"Jumper"

"Jumper"
graphite sketch
small leather sketchbook
I spent about an hour sketching this horse and rider, working from a photo which originally had a vertical jump in it.  The jump was obscuring the horse's hind legs, and I wanted to capture the strength of this horse's leap, so I did not incorporate the jump into the drawing.

The rider was probably the easiest part; I tried very hard not to draw my pre-conceived notion of a human and focused instead on angles and shapes in relation to the horse.  Lately I've noticed that I've improved in paying attention to the negative space which "outlines" objects in reference photos, which results in a more accurate drawing.

There's a lot of Western style equine and equestrian portraits, but not as many English style riding works of art.  I appreciate both styles, but have spent most of my riding time in an English saddle.  If I am going to draw mounted horses, I am leaning towards focusing on what I am most familiar with (and what subjects are most readily available in my geographical area).


Friday, November 21, 2014

Professional Goals

Limited supplies at my desk job

"What are your professional goals?"

A partial answer to this question required many hours of soul searching and research on what that actually means.  I graduated with a B.A. from Rutgers University in Visual Arts, after a long and twisty academic career involving transferring from community college and not one but two changes in degree.

When I graduated high school, I knew that I was going to be an artist and equine sports massage therapist.  I had always been an artist of sorts, drawing childish fox cartoons since age six and doodling my way through middle and high school with the occasional decent artwork being produced, and I had always loved horses.  In particular, I loved to draw horses.

During my senior year of high school, a painting class was available to me as an elective.  It was the first class of my day and had the advantage of being my home room.  For the first time, I was motivated to come to school early and start painting.  I was introduced to my second art inspiration, Leslie Ann Webb, who makes large and gorgeous equine portraits (my first inspiration being Yoshitaka Amano, since my brothers and I enjoyed the Final Fantasy videogame series).  I thought to myself, "I could do that too!"

Did I need to go to college for any of this?  No.  However, going to college (somewhat against my will) did expose me to more artists, like Franz Marc, encouraged me to create more art, and helped me develop as a person.  I find that my community college experience was much more positive and confidence-building than my time at Mason Gross.  I felt disjointed, disconnected, and directionless while at Mason Gross, and ironically, I began to lose my passion for art. These feelings only recently began to change.  Maybe it would have been different if I wasn't a transfer student; I don't know.  I turned away from art and to animal science for a time, until I realized that my scholarship was running out and I was burning out.  I came back to the arts out of desperation to finish a degree, any degree, before I amassed even more debt.  I lost my sense of self somewhere in there.

I graduated a little over two years ago, and I work a full time job that has nothing to do with art or horses.  It does, however, pay my bills, and I have a lot of time to think.  Much of my job consists of not doing very much, and the hours can become quite tedious.  I picked up pen and pencil to paper to while away the time.  My mom noticed that I have not been drawing or horseback riding lately, which had been two of my defining characteristics as a child and young adult, and picked up some art supplies to encourage and support me.  I began to receive compliments and encouragement from the people in my building on my drawings.  They began to ask me, "What have you drawn today?"

"Wow, you drew that?  It's beautiful!  You should have an art show!"

"I have a friend who owns a coffee shop.  I will talk to her and let her know a friend of mine is interested in displaying some small, framed prints.  Maybe she can sell them for you.  Tell her I sent you."

These comments coincide with me going through the process of reconnecting with myself and the question I was trying to answer.  What are my professional goals?  As I thought about it, and wrote about it, it was increasingly clear that what I want is not a desk job or even any semblance to a 9-5, working for someone else.  One of the best questions that I found helpful was this, especially since many of my decisions have been based on the need for money to survive:

"What would I want to do today if I had no financial worries?"

Of my answers, these stuck out most to me: "Take pictures of and draw horses, develop a website for my art, and go to the Met."

Suddenly, I had the answer.  I have a dream in addition to my dear home and family.  I want to become a professional artist.  After literally years of waivering, I have the commitment, the focus, and the passion, right now, to continue this journey.

scribbling some notes about my goals