Friday, November 28, 2014

Two Horses



"Two Horses- Sketch"
Pentel EnerGel pen
small leather sketchbook
I found a gel pen in my purse, and spent the next few hours drawing.  When drawing in pen, I do not do a preliminary sketch in pencil but go right for it.  This worked very well for me in my life drawing classes and has resulted in some of my more bold and interesting drawings.  I suspect that this is because there is no undoing any "mistakes," and this gives my work more character.  I love drawing two horses together, connecting in their wordless language of breath and touch.

I have been doing a few pen pieces on watercolor paper, mainly because I have a huge stack of loose leaf watercolor paper which is easy to transport in a small folder.  Bristol or regular drawing paper is preferable to me, but I haven't bought a conveniently sized pad of paper yet.  I hate spending money and like working with what I have; I can make the excuse that the watercolor paper adds an interesting texture to my work.  Improvement to both my skill and supplies will come with time.

"Two Horses"
Pentel EnerGel pen
11"x13" watercolor paper
 

Wednesday, November 26, 2014

"Jumper"

"Jumper"
graphite sketch
small leather sketchbook
I spent about an hour sketching this horse and rider, working from a photo which originally had a vertical jump in it.  The jump was obscuring the horse's hind legs, and I wanted to capture the strength of this horse's leap, so I did not incorporate the jump into the drawing.

The rider was probably the easiest part; I tried very hard not to draw my pre-conceived notion of a human and focused instead on angles and shapes in relation to the horse.  Lately I've noticed that I've improved in paying attention to the negative space which "outlines" objects in reference photos, which results in a more accurate drawing.

There's a lot of Western style equine and equestrian portraits, but not as many English style riding works of art.  I appreciate both styles, but have spent most of my riding time in an English saddle.  If I am going to draw mounted horses, I am leaning towards focusing on what I am most familiar with (and what subjects are most readily available in my geographical area).


Monday, November 24, 2014

Paint Pony, graphite pencil sketch

(c) Rebecca Freiday

Despite being incredibly tired last Thursday, I promised myself that I would achieve my goal of drawing something, anything, every (week) day.  This was the end result, after some doodling beforehand.

I am working with limited equipment currently; I took the photo of this sketch with my cell phone and used its editing software to crop the photo.  My laptop's keyboard no longer works, and it doesn't connect to the Internet anymore.  I miss Lightroom, and all of the photos and documents on my laptop.  Hopefully all I need is a USB keyboard for now, because I really don't want to shop for a whole new laptop.  When I have a better photo, I will edit this post.

I am planning to get a new USB drive or two, to store pictures of my artwork and photography.  When my budget allows for it, I would love to get a graphic arts quality scanner.

My next goal is to make a couple of small laser copies of three pen and ink drawings I did this past month and mat and frame them.  Then, I will go to Greens & Beans, where Paula's friend runs a floral shop, and see if she can sell any of my prints.  Paula said that she warned her to be nice to me, haha.  

Friday, November 21, 2014

Professional Goals

Limited supplies at my desk job

"What are your professional goals?"

A partial answer to this question required many hours of soul searching and research on what that actually means.  I graduated with a B.A. from Rutgers University in Visual Arts, after a long and twisty academic career involving transferring from community college and not one but two changes in degree.

When I graduated high school, I knew that I was going to be an artist and equine sports massage therapist.  I had always been an artist of sorts, drawing childish fox cartoons since age six and doodling my way through middle and high school with the occasional decent artwork being produced, and I had always loved horses.  In particular, I loved to draw horses.

During my senior year of high school, a painting class was available to me as an elective.  It was the first class of my day and had the advantage of being my home room.  For the first time, I was motivated to come to school early and start painting.  I was introduced to my second art inspiration, Leslie Ann Webb, who makes large and gorgeous equine portraits (my first inspiration being Yoshitaka Amano, since my brothers and I enjoyed the Final Fantasy videogame series).  I thought to myself, "I could do that too!"

Did I need to go to college for any of this?  No.  However, going to college (somewhat against my will) did expose me to more artists, like Franz Marc, encouraged me to create more art, and helped me develop as a person.  I find that my community college experience was much more positive and confidence-building than my time at Mason Gross.  I felt disjointed, disconnected, and directionless while at Mason Gross, and ironically, I began to lose my passion for art. These feelings only recently began to change.  Maybe it would have been different if I wasn't a transfer student; I don't know.  I turned away from art and to animal science for a time, until I realized that my scholarship was running out and I was burning out.  I came back to the arts out of desperation to finish a degree, any degree, before I amassed even more debt.  I lost my sense of self somewhere in there.

I graduated a little over two years ago, and I work a full time job that has nothing to do with art or horses.  It does, however, pay my bills, and I have a lot of time to think.  Much of my job consists of not doing very much, and the hours can become quite tedious.  I picked up pen and pencil to paper to while away the time.  My mom noticed that I have not been drawing or horseback riding lately, which had been two of my defining characteristics as a child and young adult, and picked up some art supplies to encourage and support me.  I began to receive compliments and encouragement from the people in my building on my drawings.  They began to ask me, "What have you drawn today?"

"Wow, you drew that?  It's beautiful!  You should have an art show!"

"I have a friend who owns a coffee shop.  I will talk to her and let her know a friend of mine is interested in displaying some small, framed prints.  Maybe she can sell them for you.  Tell her I sent you."

These comments coincide with me going through the process of reconnecting with myself and the question I was trying to answer.  What are my professional goals?  As I thought about it, and wrote about it, it was increasingly clear that what I want is not a desk job or even any semblance to a 9-5, working for someone else.  One of the best questions that I found helpful was this, especially since many of my decisions have been based on the need for money to survive:

"What would I want to do today if I had no financial worries?"

Of my answers, these stuck out most to me: "Take pictures of and draw horses, develop a website for my art, and go to the Met."

Suddenly, I had the answer.  I have a dream in addition to my dear home and family.  I want to become a professional artist.  After literally years of waivering, I have the commitment, the focus, and the passion, right now, to continue this journey.

scribbling some notes about my goals